Welcome back to FOMO Fix, your weekly dose of what to watch — and what to dodge — across film and television. This week, we take a hard look at revisionism in storytelling: the kind that reimagines history with purpose and perspective, and the kind that distorts it to fit an agenda.
From the jingoistic inventions of Kesari 2 to the smarter narrative choices of Quentin Tarantino and Aaron Sorkin, we unpack the essentials of revisionism.
Also this week, we applaud a sharp animated satire from Ramy Youssef, a surprisingly effective thriller with a terrible name — Crazxy — and a take an honest look at representation and appropriation in Superboys of Malegaon.
HYPE CHECK: Kesari 2
“Beep off.”
“Beep right off.”
“Go beep yourself.”
“Get the beep out of my country.”
Yes, that’s the complete collection of Akshay Kumar’s punchlines and “winning arguments” in Kesari 2, a film that takes a nugget of history and revises it into jingoistic mythology.
Despite criticism for historical distortion — and plagiarism accusations over a Yahya Bootwala poem — the film has collected over ₹70 crore in its second week. But this courtroom drama is no The Trial of the Chicago 7 or A Few Good Men. Those films made the war of ideas compelling with well-crafted arguments and ideological nuance — not just one-sided F-bombs thrown around like confetti.
Tarantino rewrote history too — by killing Hitler in Inglourious Basterds and saving Sharon Tate in Once Upon a Time in Hollywood. But if you’re presenting an alternate timeline, the least you can do is not market it as The Untold Story of Jallianwala Bagh.
It’s not just dishonest — it’s straight-up pretentious to end the film with names of real-life victims followed by an asterisk: “Names from public domain.” Translation: “No attempt was made to verify these names, but Aaron Sorkin did it too, so… vibes?”
Representation? Akshay Kumar plays Sankaran Nair — which now apparently makes him an expert on all things starting with K: Kerala, Kathakali, Kalaripayattu. Meanwhile, R. Madhavan is fantastic in the film — making you wonder: why isn’t he Sankaran Nair?
Why not stay true to the book it’s based on — The Case That Shook the Empire? Maybe because real history doesn’t stir up the nationalism quota enough to provoke? The only history lesson Kesari 2 teaches is that Bollywood doesn’t care about representation, sensitivity, or even basic screenwriting — even when dealing with one of the most haunting tragedies in Indian history.
TV GOLD: #1 Happy Family USA
In the wake of the Pahalgam tragedy and the surge of hate Muslims across India have endured lately, the show to watch is Ramy Youssef’s animated series #1 Happy Family USA on Prime Video.
Set in the aftermath of 9/11, the show follows the cultural fallout faced by the Husseins — now under the scanner for being Arab.. Ramy leans into absurdity, throwing in nosy neighbors, shady FBI agents, and even the American President.
Yes, George W. Bush shows up for a sleepover. The lead, a teenager named Rumi, joins a punk rock band. “We need Satanic Verses — Rushdie, not Rumi.” (That line alone deserves a standing ovation.)
If you liked Ramy or Mo, this one belongs on your watchlist. If you haven’t seen either, it’s time.
HEADS UP: Crazxy
You know those titles that are trying too hard and turn you off instantly? Crazxy — yes, that’s “crazy” with an X — is one of them. Surprisingly, it’s actually good.
Sohum Shah stars in this real-time thriller about a bag of money, two parties waiting for it, and escalating stakes. He can either use the money to save his career — or ransom it to rescue his kidnapped daughter with Down syndrome. What would you do?
The thriller rarely slows down — except for one surprisingly tense tyre change mid-surgery. By the end, you’ve had so much fun, the slightly predictable climax barely matters. If it had just been titled ‘Crazy’, more people would’ve watched it.
STREAM THIS FIRST: Superboys of Malegaon
Zoya Akhtar’s Superboys of Malegaon, on Prime Video, is a fictional adaptation of Supermen of Malegaon, Faiza Ahmed Khan’s beloved documentary. It’s a classic case of cultural appropriation. Not only does it fail to credit the original as “based on” or “adapted from,” it gives it a shoutout — like tagging it in a meme.
To be fair, the film — written by Varun Grover — is entertaining and lovingly captures the spirit of Malegaon’s mumblecore parody-makers. But the documentary already did that — with authenticity and humility.
The appropriation here is twofold: A privileged member from the Javed Akhtar family tree — Sholay lineage and all — gets her writing partner Reema Kagti to direct instead of empowering someone from Malegaon to tell the story. And it mines a marginalised, low-income community while sidelining a documentary filmmaker — one of the most undervalued voices in the industry.
So how do you celebrate without appropriating? Take notes from Netflix. When they acquired One Hundred Years of Solitude, Gabriel García Márquez’s sons insisted it be made in Spanish, shot in Colombia, using local talent. That’s called platforming the people who lived the story.
Want to celebrate the filmmakers of Malegaon? Start by watching Faiza Ahmed Khan’s Supermen of Malegaon on YouTube — before streaming the fictional take.
JUST SAY NO: You (Netflix)
This is not a recommendation. This is your cue to skip. The stalker series You has ended after five seasons. While the show had its guilty-pleasure highs, the final season offers nothing new. The thrills are limp, the ending is predictable. and the Joe Goldberg is too tame for a psycho we’ve watched get away with murder for five years.
Landing a show is an art form. This one crash-lands into clichés. Skip the FOMO. Embrace the JOMO: Joy of Missing Out. Watch Jewel Thief instead. The Vijay Anand one.
Published – May 02, 2025 09:05 pm IST